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Driven by impulse and material processes, works embrace the unknowability and accidental within painting to uncover familiar forms on a surface. Working in a way that resurrects the final work, processes of scraping back a painterly excess and re-layering, previous unfinished canvases are re-used allowing re-occurring motifs to unexpectedly align to reveal new paintings. With tactile surfaces, ambiguous motifs move sinuously between semi-abstraction and figurative objects; which are often suggestive parts of the body or landscapes, and in turn become visual innuendos.
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